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Verge Conference 2017
Schedule
An Argument for Visual Theology
Five Ways That Art Knows Spiritual Reality
Consumption, Terror, and Affection
Pattern Thinking: Encountering Indigenous Australian Painting
The Phar and Mata-ni-pachedi: Sacred Textile Arts of Rajasthan and Gujarat, India
The Most Reluctant Christian Artist: Madeleine L’Engle and Artmaking as Spiritual Practice
Hans Rookmaaker: An Open Life in the Arts
Beyond Appearances: Art as a Location for Spiritual Encounter
Emily Carr: Painter/Writer of the Spirit
Vincent van Gogh and the Poetic Principle
Prayer and Art as Lived Experience: Images from British and Canadian Hospitals
The Healing Music of Taizé
Contemplative Geographies
Spirit + Song = pneusong
The Already and the Not Yet: Improvisation as Spiritual Practice
An Alphabet of Hope in the “Hierarchy of Grief”
This Submerged Sunrise: Postapocalyptic Fiction and the Spirit of Holy Saturday
The Beauty of Orthodoxy: The Aesthetic Centre to Dostoevsky's Ecofeminist Vision in The Brothers Karamazov and Terrence Malick’s The Tree of Life
Making Practices/Spiritual Practices: Excavating Technologies of the Soul
Towards a Pedagogy of Listening Well: Hearing (and Seeing) God in the Theatrical Context
The Great War and the “Good Fight:” Visualizing an Existential Crisis of Faith in Otto Dix’s War Triptych
The Face(s) of War: Can Public Art Installations Foster Spiritual Foci in the Midst of Military Conflict?
Francis & Dominic and the Arts of Devotion
Evangelists for Empathy: The Making of an Anabaptist Theatre Company
Paleolithic Spiritual Practices: An Audiovisual Perspective
Performances of Spirituality and Relationality in Contemporary Worship Music
Chesterton’s Idea of Divine Participation: Humility and Wonder in the Artistic Endeavour
Common Ground: On the Faith-Creativity Connection
Unbent by Beauty: The Role of Art in Spiritual Formation
Verge Conference 2016
Schedule
Public Lecture
Session 1
Keynote 1
Session 2A
Session 2B
Session 3A
Session 3B
Play Reading
Session 4A
Session 4B
Session 5A
Session 5B
Session 6A
Session 6B
Session 7
Verge Conference 2015
Schedule
Blaauw Eco Forest Celebration - Oct 3
Sea Change Colloquium
Schedule
Verge Conference 2014
Schedule
Verge Conference 2013
Schedule
Verge Conference 2012
Bios + Abstracts
Schedule
Verge Conference 2010
Bios and Abstracts
Schedule
Verge Conference 2009
Conference Presenters
Lloyd Arnett
Kelvin Booth
Skye Burn
Brian Anastasi Butcher
Ron Dart
Geraldine Finn
Patti Fraser
Athena Hadji
Dana Margalith
Christopher S. Morrissey
Leslie O'Dell
Maria Palmo
Joanne Pepper
Jamin Pelkey
Carl Peters
Yana Sakellion
Emmet Sandberg
Corrie Shoemaker
Jeff R. Warren
Lachlan Whatley
Kelsey Wrightson
Schedule
Verge Conference 2008
Presenters
A. Bulent Alaner
Best Ochigbo
Bettina Stumm
Betty Spackman
Caleb Chan
Charity Chan
Chie Naganuma
Chris Anderson
Christos Hatzis
Claude Lacroix
Corrie Shoemaker
Doris Hutton Auxier
Edgar Rodriguez
Ingrid Mayrhofer
Jason Carter
Jeff R Warren
Kathryn Ricketts and Laurie Craig Phipps
Kathryn Schmidt
Lorna Rae Boschman
Mary Shearman
Michael Fontaine
Rachel Tracie
Rodrigo Caballero
Satik Andriassian and John M. Kennedy
Sidney Gluck
Suzanne Snizek
Uwemedimo Atakpo
Wayne Downs
Schedule
Verge Conference 2007
Presenters
Charles Edonmi
Doris Hutton Auxier
Edgar Rodriguez Sanchez
Fred Ribkoff
Jeff R Warren
Loranne Brown
Michelle Forrest
Scott MacFarlane
Schedule
Verge Conference 2006
Presenters
A. H. Alabdullah
Adam Gustafson
Adam Krims
Amalia Nickel
Andrea Warren
Angela Konrad
Artur Golczewski
Cheryl Thompson
Christine Stoddard
Claude Lacroix
Cordula Quint
Dave Kent
David Barton
David Pasivirta
Emily Luce
Erica Grimm-Vance
Erica Grimm-Vance, David Squires, Jeff Warren, Stephen Stasson
Geraldine Finn
Gerda van de Windt
Gokce Kasikci
Graeme Chalmers
Janine A. Sytsma
Jens Zimmerman
Jim Daems and Carl Peters
Josephine Fong
Keely Orgeman (Images)
Kim Díaz
Larry Green
Linda Schwartz
M.A. Greenstein
Panel moderated by: Loranne Brown
Sarah Campbell
Steven Stasson
Tanya Loughead
Tim Trivett
Schedule
Schedule
Jens Zimmerman
TITLE:
"Do Poets Still Belong? Heidegger and the Future of Literary Theory"
ABSTRACT:
to come