Courses

World Drama is a survey course of the dramatic literature of the past 2500 years, from classic nationalist drama to the global contemporary drama of the twenty-first century. Students will explore social and global issues such as war, class struggle, gender inequality, dysfunctional family life, and more, from past times and today, in the context of the drama of different world cultures. World Drama is a course of reading, discussion, and audience response to live performances of global drama from differing cultures and times (in English translation). The course will entail both the reading of major plays and attendance of live performances of world dramatic masterpieces that are available at theatres in the Lower Mainland of British Columbia. Though designed for Theatre and English students, the course is of great value to any student who wishes a broader knowledge of world culture through its varied theatrical expressions. Play choices are made to avoid overlap with other dramatic literature currently taught in both the Theatre and English departments, where advisable.

Students must participate fully as an actor or stage manager in the semester's mainstage production.

Students must participate fully as an actor or stage manager in the semester's ensemble production.

Students must participate fully as an actor or stage manager in the semester's ensemble production.

An advanced scene-study class exploring acting styles of various historical periods with a view towards presentation to contemporary audiences.

An advanced scene-study class exploring Shakespeare in performance. Students are expected to carefully analyze assigned Shakespearean texts as part of their preparation.

Building on previous voice and movement courses, this course encourages students to further develop their physical and vocal instruments, seeking deeper exploration and more creative expression.

A study of the broad range of issues involved in leading a church drama ministry. The course focuses on writing and directing, and provides an overview of the various facets of production relevant to mounting dramatic works of various types in a church setting. Issues relating to staffing and leadership are also covered.

Topics vary from year to year.