RELS 326 - Gender and the Bible—Text, Tradition, and Interpretation | 2024-2025

Focuses on issues related to gender (including such topics as the roles and relationships of female and male characters in the Bible) within the contexts of the ancient Near East, Second Temple Judaism, the Greco-Roman world, the Jesus movement and the early Church. Also provides opportunity for the study and critique of the transmission and interpretation of these traditions within the early, medieval, Reformation, and contemporary eras.

THTR 346 - American Drama | 2024-2025

A survey of significant American dramatic literature. Beginning with a brief background of eighteenth and nineteenth century drama influenced by European styles, the course progresses to Eugene O’Neill, widely considered to be the dramatist to define a distinct American voice in the theatre. This course then examines the work of significant playwrights such as Arthur Miller, Lillian Hellman, Tennessee Williams, Tony Kushner, Lorraine Hansberry and others, and includes a component on “the book musical”.

THTR 341 - Shakespeare I | 2024-2025

An intensive study of selected works by William Shakespeare situated in their Elizabethan and Jacobean contexts. Works studied may include the sonnets, the history plays, Henry IV(Parts 1 and 2) or Henry V; the comedies, A Midsummer Night’s Dream and As You Like It; the problem play, Measure for Measure; the tragedies, King Lear and Macbeth, and the romance Cymbeline.

SOCI 356 - Self and Identity | 2024-2025

This course offers an in-depth exploration of the development and applicability of the theoretical perspective of symbolic interactionism to the study of self and identity. Students will encounter the work of several classical and contemporary theorists on the topic of self and identity including different perspectives on socialization, self-presentation and authenticity. This course will provide students with a greater understanding of how broader social institutions and narratives intertwine with and influence individual self-narratives, agency and expression.