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A summary of each course to help with your selection.
Course ID
Course
MCOM 314
MCOM 314
Hollywood & the Superhero
Course Credits: 3
This course explores the nature and development of the Superhero figure and myth from its ancient origins to the contemporary Hollywood blockbuster craze. Emphasis will be placed upon exploring the Superhero as myth, archetype, icon, moral hero, and anti-hero, and investigates why the Superhero type figure has been a perennial character and what the current emphasis on superheroes might tell us about contemporary social, moral, political, gender, and cultural concerns.
Prerequisite(s): At least third-year standing
NB: Viewing fee
MCOM 315
MCOM 315
Film History II
Course Credits: 3
Emphasizes the role films and filmmakers have played in impacting culture and reflecting their historical milieu, especially as they relate to the events and traumas of World War II and the Cold War. Students explore key post-World War II film movements including Neo-Realism, the French New Wave, the rise of art house and nationalist cinemas, and the moral and social rebellions of the 1960s and 70s.
NB: Viewing fee. Fulfils University core requirement for social and global inquiry. Not offered every year. Required of film concentrations and minors.
MCOM 317
MCOM 317
Ethics, Morals & Media
Course Credits: 3
This course focuses on understanding the nature of ethics and morals in the media. Through reading, on-going discussion, case studies, guest lecturers, on-site observation and media analysis, students develop their own framework for moral and ethical decision-making.
Prerequisite(s): At least third-year standing or instructor’s consent
MCOM 321
MCOM 321
Digital Filmmaking II
Course Credits: 3
This advanced production course focuses on the key components necessary for making creative and compelling narrative and non-narrative short films. Topics include concept and script development, cinematography techniques, effective mise-en-scene integration, and production workflow. A key component also includes writing, producing, shooting, and editing short films.
Prerequisite(s): MCOM 221
NB: Lab fee
MCOM 322
MCOM 322
Digital Film Post-Production
Course Credits: 3
This course examines the art and theory of digital film editing and the post-production process. The goal is to help students understand the role editing plays in the filmic and television viewing experience, especially the way shot selection, pacing, rhythm, sound, etc., impact a scene's development and how various editing techniques and aesthetics relate to dramatic and narrative storytelling. Historical, theoretical, and critical dimensions are addressed as students research seminal examples of film and video editing. This intense workshop offers a real world simulation component as students work under strict deadlines to edit and complete digital film projects.
Prerequisite(s): MCOM 221 or instructor's consent
NB: Lab fee. Not offered every year.
MCOM 323
MCOM 323
Digital Recording I
Course Credits: 3
An introduction to various aspects of the recording arts with emphasis on working within the digital (virtual) studio environment with Cubase and other Virtual Instrument software.
Cross-listed: MUSI 340
Prerequisite(s): MUSI 226 or third-year standing
NB: Lab fee
MCOM 331
MCOM 331
Imaging & Illustration Design
Course Credits: 3
This course explores the conception, production, and analysis of imagery in graphic communication design, including photos, illustrations, and graphic marks. Imagery-based problems are investigated in multiple design contexts and formats. Specialized rendering techniques, digital studio practices, and iconographic style development are considered.
Cross-listed: ART 361
Prerequisite(s): ART 250 or MCOM 231. Recommended: MCOM 111, ART 181, 182
NB: Lab fee
MCOM 332
MCOM 332
Symbol & Typography Design
Course Credits: 3
An exploration of integrated conceptual thinking and formal experimentation with type and related symbol systems in graphic communications. Emphasis is placed on type as image, principles of typesetting, hierarchy and structure. The complex interaction of type in relation to other graphic elements in multiple design contexts and formats is considered.
Cross-listed: ART 362
Prerequisite(s): ART 250 or MCOM 231. Recommended: MCOM 111, ART 181, 182
NB: Lab fee
MCOM 333
MCOM 333
Format & Layout Design
Course Credits: 3
An exploration of integrated conceptual thinking and formal experimentation with the structural and organizing systems at work in graphic communications. Emphasis is given to the development of unified graphic systems spanning multiple design contexts and formats.
Cross-listed: ART 363
Prerequisite(s): ART 250 or MCOM 231. Recommended: MCOM 111, ART 181, 182